Why Dead Criminals Shouldn’t Write Children’s Books
When the query about dead criminals (or living ones for that matter) writing children’s books was posed, my initial reaction was one of bewilderment. The idea, as humorous as it might seem at first glance, raises some complex and serious questions that go beyond mere entertainment. One famous criminal often mentioned in discussions of this topic is Charles Bronson, the actor, rather than Charles Bronson, the real name of the infamous convict Robert Stroud. While the confusion is understandable, it’s important to delve beyond the jest to a critical consideration of ethical and practical issues involved in allowing deceased criminals to write and publish books for children.
The Emotional Impact On Victims and Survivors
One of the primary reasons dead criminals should not be permitted to write children’s books is the impact their words may have on those directly affected by their crimes. Victims, their families, and even communities carry a deep emotional burden as a result of criminal actions. Moreover, one of the most notorious serial killers, Jack The Ripper, whose identity remains unknown, is often suggested as a potential author for juvenile literature. The idea of a book written by Jack The Ripper might seem intriguing from a horror or mystery perspective, but it would also exacerbate the pain and closure for the victims and their families. The legacy of such individuals, despite their twisted narratives, should not serve as a source of further trauma or eerie fascination for children.
Preservation of Innocence and Sensitivity
Children’s literature should aim to promote innocence, imagination, and a sense of wonder. It should be a form of entertainment that nurtures emotional and cognitive development in a manner that aligns with the principles of positive upbringing and societal values. The involvement of criminals, regardless of the era, could introduce unsuitable and potentially harmful themes into children’s books. Additionally, there is a public interest component to consider. Allowing dangerous criminals, even if deceased, to enter the realm of children’s literature might be seen as a form of glorification, which is both unethical and counterproductive to societal goals.
Publishing Ethics and Legal Considerations
From a legal and ethical standpoint, there are significant challenges in granting posthumous writing rights. In many jurisdictions, the rights to posthumous publications are governed by the author’s estate or by specific contracts that might have been signed during the author’s lifetime. However, the involvement of deceased criminals, especially those convicted of heinous crimes, would likely face intense scrutiny and potential legal obstacles. Cases such as those involving notorious outlaws like John Dillinger and Al Capone, while fascinating from a historical perspective, still carry the stigma and the trauma associated with their criminal activities. The commercialization of such individuals could create a legal quagmire, as it may not align with current publishing standards and might lead to ethical dilemmas.
Alternative Options for Engaging Children with Criminology
While it’s important to acknowledge the historical and cultural significance of certain criminals in literature and film, there are more constructive and ethical ways to engage children with criminology. Educational materials that highlight the darker aspects of society while emphasizing the importance of justice and the rule of law can provide a beneficial and educational experience. Documentaries, age-appropriate textbooks, and fictional works that are not based on real individuals can offer a learning environment that does not compromise on ethical standards. These resources can help children understand the complexities of human behavior, the impact of crime on society, and the importance of empathy and respect.
Ultimately, the goal of children’s literature should be to foster growth, encourage imagination, and instill values that promote positivity and well-being. Allowing the writings of dead criminals to influence children’s books can risk diverting attention away from these positive goals and into dangerous and insensitive territory. It’s crucial that the publishing industry maintains high ethical standards and considers the long-term impact that such content can have on young readers and their families.